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Fun Friday



Had a session with Sophie being my editor. You kind of trust someone telling you something is any good when they have the balls to tell you which bits are really shit. And I guess I will probably have to cut at least 20 or so of the bad ones and rethink them slightly, not sure if I can, the subject matter is becoming increasingly abstract, fading like uninteresting dreams do. We met in VJ's, a very nice bar in York... and met a guy who must have rented the same house as me as students in balsall heath...

I was introduced to ideas about line form and narrative, which made sense and a number of trendy bars round york. We went to an usual arts/dance/intsallation thing and I felt all nostalgic about lighting. I met a guy who recognised me from playing ukulele in the shop he works in in Copmanthorpe. Embarrassingly cool don't you think? We caught the last bus home more than slightly the worse for wear, both wondering how the bus managed to stay on the road .. it was spinning so bad.

To do list for this week. Find some publishers who may be interested and send off the current versions. What the hell. Rework the crap ones. Start a new positive collection so that working on this (or the old one) doesn't feel like wallowing and drag me down and back into a past I'm trying to forget.
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5:13 PM

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5:13 PM

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5:18 PM

I don't remember the ukelele shop guy...? But then, there's a lot I don't quite remember...

Your collection isn't getting more abstract.It's just how it feels as you start to edit and craft the poems. I think what happens is that you move further and further from the original feelings that you wrote out of - and begin to see your poems as objects on the page rather than as part of you. So, yes, there's a distancing, but this can be good. It can help make the original feelings more manageable over time. But your readers will still get the impact. Trust me!    



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